Interview: Horror is Alive At Smudge!
May 13, 2024
Interview by Troy-Jeffrey Allen
For three years now, Living the Line has held the line for bold, fringe voices in the world of comics and graphic novels. Now in 2024, LTL is creating a new imprint that takes this philosophy of "bold" and "fringe" and brings it to manga readers.
In the following interview, editor and translator Ryan Holmberg introduces you to Smudge and its offering of classic horror manga. Keep reading...
What is the overall focus of Smudge? Is it talent or genre? Something else?
It’s a line of horror, occult, dark mystery, and adjacent genres of manga, focusing on untranslated and sometimes obscure artists from the 1950s to the 1980s—i.e. the “classic” era of horror manga in Japan before horror manga magazines became the norm and Ito Junji stormed the field.
What is your role at Smudge?
I’m the series editor and translator. I select the titles, contact the necessary parties in Japan to license the titles, and translate the manga and any other backmatter (like essays) we decide to include. When necessary, I will also write the backmatter from scratch, though the main goal is to highlight and translate Japanese specialists on the topic.
The debut manga is a title called Norikazu Kawashima's Her Frankenstein a story you’re translating. What can you tell us about Her Frankenstein?
You can get a synopsis of the manga itself from Living the Line’s website. But historically speaking, Her Frankenstein is important because it represents the end of classic horror manga in Japan in the mid and late 1980s—the end of book-based horror manga before magazines take over the genre. Kawashima is that world’s last great author. Her Frankenstein was originally published in 1986, so the year before Ito Junji debuted with Tomie in 1987. In that sense, we are starting at the end of the classic era Smudge aims to survey, in the process also highlighting the immediate prehistory of the present horror boom.
What other stories can we expect from Smudge?
The second volume of Smudge will be Shirakawa Marina’s UFO Mushroom Invasion (1976). You can find a brief synopsis of that title on the publisher’s website as well. The other titles in the hopper are mainly from the 1960s and 1970s, though nothing else is licensed yet. The plan is to stay close to the mainstream of horror manga by translating cult classics before branching out into more obscure artists or genres that are tangentially related to horror.
In terms of audience, who is this line for?
YA and above. Anyone who is into the weird and horrible.
If there is one thing that you want people to know about the Smudge, what would it be?
If things go as planned, Smudge will provide the most extensive survey of classic horror and dark fantasy manga in any language, complimenting the Ito Junji and Umezz Kazuo titles put out by Viz Media and the Hino Hideshi and newer horror manga titles put out by Star Fruit Books.
Be sure to pick up upcoming releases from Smudge/Living the Line from your local comic shop. Available now!
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Troy-Jeffrey Allen is the producer and co-host of PREVIEWSworld Weekly. His work includes MF DOOM: All Caps, Public Enemy's Apocalypse '91, Fight of the Century, the Harvey Award-nominated District Comics, and the Ringo Awards-nominated Magic Bullet.
